A building, in the first instance, is a physical entity — brick, glass, metal, sand — crafted and assembled after an idea. In the seemingly simple act of putting pen to paper designers dictate that raw materials be extracted, then processed, products assembled and transported, building elements be brought together, welded, bolted or glued into place. From concept to assembly, we impact the environment in a manner that is often too complex to comprehend.
This impact may be through energy that is consumed during manufacture. It could be what is thrown away in the process, and equally important, how waste is disposed of. It might be a question of where raw materials are sourced, if that source is renewable, if something natural was degraded along the way.
Under pressure to build quickly and cost effectively, there often isn't enough time to think this through. The hard truth is that green material selection does not yield the same cost dividends as, say, designing for energy efficiency. There must therefore be a different raison d'etre here, since an ethical choice cannot rely on fiscal logic alone.
The difficulty for any designer, inclined to do the right thing, is that environmental impact is not only hard to sell, it is hard to explain. There is no one standard for materials, no index that says it all. There is, in place, a complexity created by the marketplace and research. The industry affects the environment in so many ways, through such a wide range of products, that green specification writing has become an expertise in itself.
Compounding this complexity is the lack of awareness of what, really, is green. At a Green Materials Exhibition in Beijing recently, I asked one supplier if his product was green. He pulled out a colour chart and declared proudly "yes, we have green". He was not in the minority. Of some 200 plus exhibitors, only half a dozen had anything that was pro-environment. One exhibitor explained to me that China has its own notion of green, very different from the rest of the world (which he calls 'international green'). In China, he said, green is a cross between healthy and modern. A PVC floor finish at this exhibition was touted as green because it is easy to clean and looks contemporary, never mind that it is pollutive to manufacture.
This then leads to the third problem of green material selection: the lack of industry support. And this is a problem not just in China. Without suppliers and manufacturers coming onboard and volunteering meaningful information, making an informed choice takes a lot of effort.
This article takes a stab at a few issues in green material selection. It is not definitive; nor can it be (there are other criteria and materials that the reader is encouraged to explore). Ultimately, making a judgement requires an understanding of tradeoffs as a product may be green in one way, but not in others.
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